White on White on White
2023 Winter - 2024 Spring, ongoing
The origin of my work stems from my fascination with objects and composition. I enjoy juxtaposing scenes/objects from paintings and photographing them. I hope painting is not just a two-dimensional canvas but can be viewed from a three-dimensional perspective. Later, in reading Wu Hong’s description of screens, I discovered a similar perspective — “not only considering a painting as an image drawn but also regarding it as the carrier of the image. It is the fusion and tension between these two aspects that make an artifact become a ‘painting’.”
iteration 1.0:
iteration 2.0:
